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Claudio and Hero are engaged, but the jealous Don John tries to thwart the wedding by denouncing Hero as unchaste. Meanwhile, Beatrice and Benedick, who scorn each other, become betrothed as a result of the schemes of their friends.
With his wedding a week away, Claudio can’t wait to marry the beautiful young Hero. To distract him, his best friend Don Pedro devises mischief: a romantic trap for the sharp-tongued Beatrice and the man she loves to hate, Benedick. Their amusement is almost spoiled by the jealous scheming of Don John, but love and laughter prevail when the local constable unwittingly exposes the plot--and all the trouble proves to be much ado about nothing.
Joss Whedon’s sexy and contemporary spin on Shakespeare’s classic comedy about the story of sparring lovers Beatrice and Benedick offers a sensual, tragic and occasionally absurd view of the intricate game that is love.
A vivid, visceral Macbeth adaptation, directed by Akira Kurosawa, sets Shakespeare's definitive tale of ambition and duplicity in a ghostly, fog-enshrouded landscape in feudal Japan. The film fuses classical Western tragedy with formal elements taken from Noh Theater to create an unforgettable cinematic experience.
Driven by ambition and an unscrupulous wife, Macbeth murders the King of Scotland and claims the throne for himself. Haunted by ghosts and vexed by witches, he and his wife descend into the depths of madness and paranoia as they crumble beneath the weight of their crimes.
A thrilling interpretation of one of Shakespeare's most famous and compelling characters, Macbeth is a dramatic re-imagining of the realities of war-torn times and a tale of all-consuming passion and ambition.
To finance Bassanio’s voyage to Belmont to win the hand of Portia, Antonio borrows money from the Jew Shylock with a pound of his own flesh as collateral. The ship sinks and Shylock demand his pound of flesh. Portia disguises herself as a lawyer and wins the case by specifying that Shylock cannot take one drop of Antonio’s blood.
Antonio, a successful but cash-poor merchant, approaches Shylock, a wealthy moneylender, for a loan to help his young friend Bassanio woo the fair Portia. Despite being longtime enemies, Shylock grants the request, but demands one pound of Antonio’s flesh if the debt is not repaid on time. When Antonio defaults on the loan, Shylock seeks what is legally owed him but soon learns that those to whom evil is done, do evil in return.
Shakespeare at his funniest, posing serious questions in the most lighthearted tone. Is there a "natural difference" between a Duke’s daughter and a commoner? Are men really stronger than women or is it just their roles in society? Some of these characters briefly discard the roles they’ve played in life, while others adopt new ones. In the end, they all learn something about themselves.
Rosalind is the daughter of banished Duke Senior and is being raised at the court of Duke Frederick, with her cousin Celia. She falls in love with a young man named Orlando, but she is banished by Duke Frederick, who threatens death if she comes near the court again. Celia goes with Rosalind. Disguised as the boy Ganymede, Rosalind enters the forest of Arden. Upon their arrival in the forest, they happen upon Orlando and his manservant, who are fleeing the wrath of Orlando’s eldest brother. What follows is an elaborate scheme devised by the cross-dressing Rosalind to find out the verity of Orlando’s supposed passion for her, and to further capture his heart, through the witty and mischievous façade of Ganymede.
In what is perhaps his greatest and most popular tragedy, Shakespeare uses a tense drama of murder, conspiracy and revenge as a medium for probing the most fundamental human problems: justice, guilt, madness, death, and the difficulty of understanding oneself and others. Noted Shakespearean actors Derek Jacobi and Claire Bloom portray Hamlet and Gertrude.
Hamlet, a prince of medieval-era Denmark, senses treachery behind his royal father’s death. His mother is all too dangerously entangled in that treachery. This film portrays Shakespeare’s immortal tale of high adventure and evil deeds.
In this first-ever full-text film of William Shakespeare’s work, the Prince of Denmark, Hamlet, returns home to find his father murdered and his mother remarrying the murderer. Meanwhile, war is brewing.
This production of Shakespeare’s masterpiece from Britain’s renowned Royal Shakespeare Company was filmed on location rather than in the theatre. No recent stage production in Britain has attracted the excitement and nearly unanimous critical praise as this Hamlet. Dynamic, exciting, and contemporary, it breathes new life into Shakespeare’s greatest play.
King Lear of Britain has decided to divide his kingdom into three parts, and to hand over the responsibilities of ruling to his three daughters. The two oldest daughters, Goneril and Regan, flatter their father insincerely, and are rewarded. Cordelia, the youngest, sincerely loves her father, but she cannot match her sisters’ skill at false adulation. The king takes away her portion of the kingdom, despite the pleadings of some of his most loyal nobles. It is not long before Goneril and Regan reveal their deep ingratitude, and soon the old king finds himself in a confusing and desperate position
Akira Kurosawa’s brilliantly conceived retelling of Shakespeare’s ’King Lear’ magically mixes Japanese history, Shakespeare’s plot and Kurosawa’s own feelings about loyalty in the epic masterpiece, ’Ran.’ Set in 16th century Japan, ’Ran’ relates the tale of how an aging ruler, Lord Hidetora (Tatsuya Nakadai), announces his intention to divide his land equally among his three sons. Hidetora’s decision to step down unleashes a power struggle among the three heirs when he falls prey to the false flattery bestowed upon him by the two older sons and banishes the youngest for speaking the truth. That ruthless betrayal ultimately drives Hidetora insane, destroying his entire family and kingdom. Deep human emotion and outstanding acting combine to create one of the most acclaimed foreign films of all time.
The marriage of two strong-minded people provides the spark for a comic confrontation between the sexes: The "shrew," Katharina, is so ill-tempered she seems unlikely to find a husband. Her father refuses to let her younger sister marry until Katherina is off his hands. Petruchio appears, marries Katharina, and "tames" her so well that he wins a bet with two other men on a test of their wives’ obedience. Dr. Miller’s production portrays Petruchio as an early Puritan, to reflect his view that the play is about the need to set up a sober household.
A loose adaptation of Shakespeare’s The Taming of the Shrew. Cameron is the new kid in school who becomes smitten with the beautiful Bianca. But Bianca’s overprotective and domineering father forbids Bianca to date unless her older sister Kat, an surly and hostile senior, does. In a bid to get Kat a boyfriend, Cameron sets up a plan to have the school stud, Joey Donnar, bribe Patrick Verona, an outcast senior with a rumor-filled past, to take Kat out on dates so he can go to the school’s homecoming dance with Bianca. However, neither Patrick or Kat expect their relationship to lead to something so much more.
With full coverage of the thirty-nine Shakespearian plays (including a synopsis, full character list, stage history, and a critical essay for each), this comprehensive guide is both a quick reference and an in-depth background guide for theatre goers, students, film buffs, and lovers of literature. Along with an exploration of the Bard's sonnets and narrative poems, The Globe Guide to Shakespeare features fascinating accounts of Shakespeare's life and the Globe Theater itself, with colorful details about each play's original performance. This comprehensive guide includes up-to-date reviews of the best films and audio recordings of each play, from Laurence Olivier to Baz Luhrmann, Kozintsev to Kurosawa. The Globe Guide to Shakespeare is the quintessential celebration of all things Shakespearian.
This introductory guide to analysing and discussing Shakespeare on screen establishes the differences between Shakespeare on stage and film. It provides an historical introduction and explores the key modes and genre conventions used in film. Featuring a series of critical essays, students are provided with critical knowledge and vocabulary.
Breaking from traditional critiques of Shakespeare films based on either the aesthetics of the films or on a comparison between the film and source text, this new analysis of recent Shakespeare movies seeks to explain what makes such films commercial successes. Focusing particularly on three sub-genres—the teen Shakespeare film, the hybrid Shakespeare film, and the “faithful” adaptation—the author argues that the commercial success of the most popular films stems from blurring the line between the “traditional Shakespeare” and a more modern interpretation of the texts.
Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare. Taking a fresh look at the Bard an his place in the movies, Shakespeare, The Movie includes a selection of what is presently available in filmic format to the Shakespeare student or scholar, ranging across BBC television productions, filmed theatre productions, and full screen adaptations.
Gloriously cinematic despite its tiny budget, Orson Welles's Othello is a testament to the filmmaker's stubborn willingness to pursue his vision to the ends of the earth. Unmatched in his passionate identification with Shakespeare's imagination, Welles brings his inventive visual approach to this enduring tragedy of jealousy, bigotry, and rage, and also gives a towering performance as the Moor of Venice, alongside Suzanne Cloutier as the innocent Desdemona, and Micheal MacLiammoir as the scheming Iago. Shot over the course of three years in Italy and Morocco and plagued by many logistical problems, this fiercely independent film joins Macbeth and Chimes at Midnight in making the case for Welles as the cinema's most audacious interpreter of the Bard.
Shakespeare’s play about the tragic consequences of jealousy. Othello appoints Cassio as his chief lieutenant, arousing the jealousy of Iago, who conspires to undo them both. Iago tells Othello that his wife, the beautiful Desdemona, is having an affair with Cassio. Othello strangles Desdemona before learning of Iago’s evil, and then kills himself in remorse.
In Venice during 1570, Desdemona, daughter of a powerful nobleman, elopes with Othello, a proud Moor celebrated as the city’s most awesome warrior. Iago, who has served alongside Othello for a decade, is angered when the general chooses another lieutenant, Cassio, as his second in command. In retribution, Iago sabotages Cassio’s promotion and convinces Othello that the handsome officer is cuckolding him. Othello writhes under the tortures Iago has created, and in a fit of jealousy smothers Desdemona, who caresses her beloved husband as she dies.